Three.
I like my long and wordy reviews, where I try to go into detail with what limited knowledge I have of whatever medium I'm reviewing. Occasionally, there's something I want to write about that I really don't have much to say about. Usually, I've just avoided writing about it in those situations, but, for once, I'll actually write about it, because Anohana is just so damn good that I can't not praise it. As a
Anohana follows Jintam, a Japanese high schooler who one day wakes up to find his dead childhood friend Menma in his room. After finding out that she's back because she has a wish that she needs fulfilled, despite not remembering what it is, and that Jintam seems to be the only one able to see Menma, they proceed to almost inadvertently reunite the old gang, who have fallen out in the years following Menma's death.
It's a relatively simple premise executed near perfectly. Jintam, Menma and the gang are all extremely well rounded and interesting characters, and they felt *real* to me in a way I've very rarely experienced in anime outside of the phenomenal Grave of the Fireflies. These aren't larger than life superheroes or magical creatures like you'd find in the likes of A Certain Scientific Railgun. They're also not the superficially real-world characters of something like Free! who, despite clearly living in the real world, constantly act like they're characters in a show motivated by drama. Nor, finally, are they alike to the comically relatable but over-the-top characters of something like Kiniro Mosaic. They're much more similar to characters out of something like Breaking Bad, albeit without all the drugs, violence and obnoxious foreshadowing: They're people that we can identify as people we could realistically meet in a familiar environment.
Since Anohana is mainly focused on getting us to know and relate with these characters, this is a massive victory for it. It smashes the one thing it needed to get right out of the park, and just how incredibly right it gets this would warrant watching the show by itself. It being gorgeous, fantastically paced, and featuring one of the best soundtracks I've ever heard in anime is just topping on the already outrageously delicious cake.
Anohana's final episode made me cry. This happens incredibly rarely to me. It's not that I don't tear up. I tear up a lot. Amongst many other things, I've teared up at five different episodes of Buffy the Vampire Slayer, four of Angel, half of Isao Takahata's films, Undertale, Dragonheart, Mass Effect 3, Non Non Biyori (embarrassingly) and Smosh the Movie, thought that last one was for different reasons. Counting Anohana, only three things have made adult me actually cry, as in "made uncomfortable amounts of tears go down my face for what felt like too many minutes".
This is because Anohana isn't just a brilliant character study. Anohana is an ode to an all too recent childhood. Instead of just providing sadness in its closing moments, Anohana transports you for a second to days gone by, when the world seemed smaller, simpler, and a hell of a lot easier. It gives these memories a final nod, and moves on, keeping and cherishing them, but looking firmly forward.
Anohana is absolutely brilliant. There's a few nitpicks and bearbugs I have here and there, but I honestly can't bring myself to discuss them. On a surface level it's an immensely moving story about some immensely likable and immensely interesting characters, and on a somewhat deeper level it's an immensely moving story about some immensely important things in every person's life.
This isn't a review, but Anohana definitely rates a 10/10. Perhaps not my favorite anime, but it's definitely competing for the spot.
Go watch Anohana.
On a lighter note, and in case people are interested: I also cried at the wheat field scene in Lilly's route of Katawa Shoujo and at the end of TellTale Games' first episodic The Walking Dead game. Also, Anjou is clearly best girl. Menma's great, but she just can't compete.
I like my long and wordy reviews, where I try to go into detail with what limited knowledge I have of whatever medium I'm reviewing. Occasionally, there's something I want to write about that I really don't have much to say about. Usually, I've just avoided writing about it in those situations, but, for once, I'll actually write about it, because Anohana is just so damn good that I can't not praise it. As a
Anohana follows Jintam, a Japanese high schooler who one day wakes up to find his dead childhood friend Menma in his room. After finding out that she's back because she has a wish that she needs fulfilled, despite not remembering what it is, and that Jintam seems to be the only one able to see Menma, they proceed to almost inadvertently reunite the old gang, who have fallen out in the years following Menma's death.
It's a relatively simple premise executed near perfectly. Jintam, Menma and the gang are all extremely well rounded and interesting characters, and they felt *real* to me in a way I've very rarely experienced in anime outside of the phenomenal Grave of the Fireflies. These aren't larger than life superheroes or magical creatures like you'd find in the likes of A Certain Scientific Railgun. They're also not the superficially real-world characters of something like Free! who, despite clearly living in the real world, constantly act like they're characters in a show motivated by drama. Nor, finally, are they alike to the comically relatable but over-the-top characters of something like Kiniro Mosaic. They're much more similar to characters out of something like Breaking Bad, albeit without all the drugs, violence and obnoxious foreshadowing: They're people that we can identify as people we could realistically meet in a familiar environment.
Since Anohana is mainly focused on getting us to know and relate with these characters, this is a massive victory for it. It smashes the one thing it needed to get right out of the park, and just how incredibly right it gets this would warrant watching the show by itself. It being gorgeous, fantastically paced, and featuring one of the best soundtracks I've ever heard in anime is just topping on the already outrageously delicious cake.
Anohana's final episode made me cry. This happens incredibly rarely to me. It's not that I don't tear up. I tear up a lot. Amongst many other things, I've teared up at five different episodes of Buffy the Vampire Slayer, four of Angel, half of Isao Takahata's films, Undertale, Dragonheart, Mass Effect 3, Non Non Biyori (embarrassingly) and Smosh the Movie, thought that last one was for different reasons. Counting Anohana, only three things have made adult me actually cry, as in "made uncomfortable amounts of tears go down my face for what felt like too many minutes".
This is because Anohana isn't just a brilliant character study. Anohana is an ode to an all too recent childhood. Instead of just providing sadness in its closing moments, Anohana transports you for a second to days gone by, when the world seemed smaller, simpler, and a hell of a lot easier. It gives these memories a final nod, and moves on, keeping and cherishing them, but looking firmly forward.
Anohana is absolutely brilliant. There's a few nitpicks and bearbugs I have here and there, but I honestly can't bring myself to discuss them. On a surface level it's an immensely moving story about some immensely likable and immensely interesting characters, and on a somewhat deeper level it's an immensely moving story about some immensely important things in every person's life.
This isn't a review, but Anohana definitely rates a 10/10. Perhaps not my favorite anime, but it's definitely competing for the spot.
Go watch Anohana.
On a lighter note, and in case people are interested: I also cried at the wheat field scene in Lilly's route of Katawa Shoujo and at the end of TellTale Games' first episodic The Walking Dead game. Also, Anjou is clearly best girl. Menma's great, but she just can't compete.